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East Java’s Cottage Industries


East Java’s Cottage Industries

Nestled inside the Brantas River Valley, the cradle of the Hindu-Buddhist Majapahit Kingdom of the 13th to 16th centuries – as well as arguably Java’s greatest ancient civilization – there are many cottage industries in which provide fascinating detours when visiting the kingdom’s temples as well as museum. A well-liked tourist site is actually Trowulan, southwest of Surabaya between Mojokerto as well as Jombang.

The Brantas River in East Java is actually what the Nile is actually to Egypt, an important trade as well as communication route as well as site of human activity for millennia. the item is actually not surprising, therefore, to find crafts as well as ancient skills here, some of which are at least as ancient as the temples themselves.

generating along the main east-west road through Trowulan, the 13th century capital of the Majapahit Kingdom, we notice in which many of the village houses have their frontages festooned with stone statues for sale. These are newly carved, nevertheless the images depict religious figures predating Islam’s establishment on the island: Hindu deities – Shiva, Visnu, Laksmi, Ganesha – Buddha in familiar serene poses, as well as characters via the Mahabharata as well as Ramayana epics. The volcanic stone as well as granite used is actually sourced in Central Java inside the region where the item has been quarried since at least the 8th century, providing the building material for the ancient temples of Borobudur as well as Prambanan.

Exploring the kampung on either side of the main road, many well-established businesses can be seen carrying out This kind of skilled craft. One in particular fills shipping containers with carved figures for export to Europe, North America as well as Australasia, as well as trucks supplying domestic clients. Locals provide the labour as well as skill under the tutelage of a master carver. Meteorite-like boulders are delivered by pickup truck via Central Java, as well as on delivery, are broken into smaller portions sufficient for carving miniature or larger figures, depending on what is actually required, by hammering enormous iron pegs into the rock. This kind of back-breaking work is actually a skill in itself, as a miscalculation can fragment the rock into unusable, smaller pieces.

the item seems in which the artisans know just how the cookie crumbles. A rough approximation of the intended subject is actually chiselled out first, as well as then slowly, using crude equipment, a recognizable figure starts to take form. The finest work is actually done in stone of a pink or white hue, with the less expensive pieces carved in igneous granite, which features a darker, slightly pitted surface. As the figure becomes gradually more refined, a grinder is actually used until sandpaper delivers a perfectly smooth texture. What strikes the visitor is actually how easy the item might be in less well-trained hands to go just a little too far with the chisel as well as take off a nose or a finger. To achieve such a fine level of detail via such a crude beginning is actually truly remarkable.

inside the village of Mojoagung, about 20 minutes on the road westwards to Jombang, lost wax bronze casting is actually practiced inside the yards of many kampung houses. This kind of method of casting sculptures is actually known to have been practiced in Java at least since 300 BC. Exhibits inside the museum show us in which the Majapahit Kingdom was a sophisticated society which has a class of skilled artisans producing religious statuary, as well as figurines as well as ornaments for the upper classes. the item is actually perfectly conceivable in which there has been an unbroken tradition of bronze casting in This kind of area at least since This kind of time.

A reclining Buddha carved via stone

At one particularly well-established cottage foundry, a gallery displays a large range of copies of museum pieces depicting traditional Hindu-Buddhist figures, as well as Majapahit era door knobs as well as handles, contemporary dancing frogs, luxuriating cats, any shape in which can be cast in bronze. Bronze can be aged with acids to be indistinguishable via museum exhibits, or be finished to a dull or polished patina. Behind their gallery is actually a ramshackle series of sheds where the different stages of the process are carried out. First, we see in which a customer’s existing sculpture or a design is actually sculpted in solid wax. Then, hollow molds are made in wax via the ‘original’. A clay mixture is actually shaped around This kind of, as well as later fired in a kiln in another of the sheds. The setup looks primitive, nevertheless we are reminded in which This kind of is actually an ancient craft in which was never dependent on elaborate equipment.

The master bronze-maker shows us in which after firing the clay, the wax inside has melted away. At a primitive-looking cauldron, a long handled ladle is actually dipped into a molten ‘bronze’ alloy of copper, tin as well as some other recycled metals, as well as then poured into the cavity of the clay mold where the wax once was. the item is actually left to harden as well as cool. Several workers possess the task of carefully hammering open the fired clay to reveal the bronze inside. A team of finishers can be seen chasing the metal with grinders as well as fine abrasive paper, as well as the occasional soldering over of imperfections inside the surface. Depending on the customer’s requirements, shoe polish is actually one of the agents frequently used to provide a beautiful patina. the item is actually impossible not to be impressed as well as in awe of the whole operation.

the item was inside the 1970s in which manik-manik (flower beads) were first made inside the hamlet of Gambang near Gudo, off the main road to Kediri. Beads are part of Indonesian culture; the traditional Dayaks of Kalimantan still wear them, as do tribes via parts of Indonesia’s eastern islands, as well as decorative beads exhibited inside the museum date to the Majapahit era.

Made via broken glass bought up via factories, or collected piecemeal, This kind of is actually combined which has a colouring agent as well as melted into a large ball about the size of a grapefruit. This kind of is actually then drawn off which has a metal pick into long, very thin rods over a blowtorch at a temperature inside the thousands of degrees centigrade. Another operator turns these rods over a smaller gas flame torch onto a thin wire in which is actually kaolin-coated to prevent the beads sticking to the item. The way the craftsmen manage to turn out perfect spheres by slowly twirling the rod over the flame is actually fascinating to watch. Using different coloured individual ‘seed beads’ in which are also melted in long, thin rods before use, each necklace bead is actually then decorated by hand, swirling or dotting the melting coloured glass over the surface. At one of the best established cottage industries, the proprietor has been inspired to create replicas of beads found in some other cultures beyond Indonesia. His showroom displays hundreds of different designs ready strung as necklaces, bracelets, broaches as well as earrings, as well as beads available individually.

Province:

East Java

How to get there:

Fly into Surabaya (several domestic as well as international airlines connect here), as well as take a car to Trowulan inside the Mojokerto regency, as well as then onto the villages below inside the Jombang regency.

Distance via Surabaya:

2-3 hours.

Places to visit:

Stone carving: Java Sculpture, Jl. Majapahit 3, Dsn. Wates Umpak, Trowulan, Mojokerto

Bronze: Ganeysa, Jl. Sanan Selatan 1/36, Mojoagung, Jombang

Glass Beads: Beads Flower, Jl. Raya Gambang, Dsn. Gambang, Ds. Plumbon Gambang, Gudo, Jombang

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East Java’s Cottage Industries


A Majapahit Kingdom temple, Candi Brahu
East Java’s Cottage Industries
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